Strategies for Composing Narratives from the Perspective of the Main Character:
Mastering the use of first-person narrative can significantly elevate your writing, creating a more captivating and intimate connection between reader and protagonist. Here's a guide to help you utilize the first-person perspective effectively:
- Gradually Disclose New Information:In first-person narrative, the narrator's limited knowledge of the world is a common challenge. Reveal information simultaneously to the reader and the protagonist, fostering tension and immersion. An example is from Elizabeth C. Bunce's "Premeditated Myrtle":
"I've been pondering our conversation last night, Myrtle, and I believe you're right. Consequently, I've extended an invitation to Miss Wodehouse for dinner tomorrow night."
Astonished, I inquired, "How will that assist Mr. Hamm?"
"What? I meant the different matter we discussed," was his response.
Horrified, I stared at him. The topic under discussion, of course, was the idea of Father marrying again. The question remained: where on earth did that concept originate?
- Consistently reflect the Character's Voice:In third-person narrative, the protagonist's voice comes through more strongly in dialogue than in description or prose. In first-person narrative, since the protagonist speaks directly, their internal voice should be equally vivid in their descriptions. Consider this excerpt from Dan Stout's "Titanshade":
It was the eve of Friday and I found myself seated at Mickey the Finn's bar. A mug of warm joe cradled in my hands as I kept silent rhythm with the jukebox, eyes glued on the clock hanging by a crooked nail above a row of liquor bottles. The minute hand inched closer to that coveted hour: the moment my shift would conclude, freeing me to order something stronger.
Even at the book's outset, we've gained a profound sense of this character owing to his internal voice. Phrases like "back side of Friday" and "warm joe" are more evocative than "late on Friday" or "warm coffee."
- Vary Sentence Structure:A common pitfall in writing first-person narrative is the excessive use of "I" in sentence beginnings, especially when describing the character's actions. Seek alternatives like beginning sentences with references to the location, time, or objects the character notices:
An example from Susan Bernhard's "Winter Loon":
Arriving at the hospital, doctors infused me with warm liquid, checked my toes and fingers for frostbite. Nurses blanketed me and offered hot beverages. They told me how lucky I was not to freeze to death. But all I could see was my mother's chicory blue face. I did not feel lucky. When they posed questions, I turned away. What words I had, I’d already spent them.
Though a less cumbersome version could have read, "I went to the hospital...," the above example showcases stronger language by avoiding repetition through sentence variety.
- Maintain a Balance between Thoughts and Scene Progression:Avoid dwelling too much on the protagonist's thoughts, which may frustrate readers due to the pause in the story's momentum. Sabaa Tahir's "An Ember in the Ashes" illustrates this well:
"Forgo that. What news of you? Pop had a dozen patients today."
And I had taken his place because he couldn't manage alone. This left Nan to bottle the trader's jams without assistance. Yet she hadn't finished her task. Now, the trader would not pay us, threatening our survival this winter. And why doesn’t he care?
I articulated these thoughts in my head. A smile fled Darin's face.
"I'm inept at healing," he admitted. "Pop recognizes that."
In first-person narrative, the author succinctly shares crucial background information without wasting time on lengthy internal reflections.
- Begin with the Protagonist's Belief or Opinion:Starting a book with an opening line that conveys the narrator's belief or opinion draws readers into their perspective immediately. F. Scott Fitzgerald's "The Great Gatsby" employs this technique effectively:
"In the most vulnerable years of my life, my father imparted some counsel I’ve since pondered relentlessly."
"Whenever you find yourself criticizing others," he advised me, "bear in mind that all people haven't experienced the advantages you’ve been granted."
He didn't elaborate, but we communicated unspokenly, and I understood he meant much more than those words. Consequently, I find it prudent to withhold judgment, a habit that has uncovered numerous intriguing personalities and, on occasion, left me the unwitting victim of long-winded bores.
Implementing these techniques will enable you to craft a more captivating and authentic first-person narrative, making the difference between an unremarkable voice and a powerful one.
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